A vintage 1980s 2D hand-drawn animated film cell. Inside the grand home, the green parrot with a bright red beak is inside her classic golden wire cage with its door securely closed. The parrot has her beak open, speaking with a dramatic, longing expression. Next to her, the wealthy Iranian merchant listens closely; he is wearing his exact traditional layered brown and cream Persian robe, featuring a wide fabric sash wrapped around his waist, a plain round brown hat, and a full solid black beard, identical to 20260619_1136_image.jpg. The style features soft pencil outlines, a warm retro color palette, and a subtle matte paper texture. Nostalgic 1990s TV cartoon style --ar 16:9

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generarme una chica asiática para ser preciso una japonesa de 25 año que sea muy kawaii muy linda y tierna hyper-realistic que el cabello sea de color negro la pollina o flequillo no se si se dice así le llegue casi a las cejas qué la chica use un escote de color rosa y unos mini shorts como el que usa para hacer deporte o ejercicios en Japón del mismo color cada detalle de la chica debe ser muy hyper-realistic

A blonde woman taking a selfie. But while taking that selfie she looks at her phone exactly . She has big operational lips and tits . She is with an ugly ,fat man with a mustache. They are inside a BMW latest model . The man is not blonde . He is a traditional Turkish man.The woman forwarding her lips front like giving a kiss and looking at the phone. Do not forget . The woman has very big lips and tits Plese

A blonde woman taking a selfie. But while taking that selfie she looks at her phone exactly . She has big operational lips and tits . She is with an ugly ,fat man with a mustache. They are inside a BMW latest model . The man is not blonde . He is a traditional Turkish man.The woman forwarding her lips front like giving a kiss and looking at the phone. Plese

A blonde woman taking a selfie. But while taking that selfie she looks at her phone exactly . She has big operational lips and tits . She is with an ugly ,fat man with a mustache. They are inside a BMW latest model . The man is not blonde . He is a traditional Turkish man

A blonde woman taking a selfie. But while taking that selfie she looks at her phone exactly . She has big operational lips and tits . She is with an ugly ,fat man with a mustache

A luxury latest-model BMW, parked on a stylish city street at sunset. Inside the car, a muscular, heavily tattooed, cocky Turkish man with a gold chain and slicked-back hair is sitting in the driver's seat. Next to him, a platinum blonde woman with overfilled lip fillers, exaggerated breast implants, heavy makeup, and fake eyelashes is taking a selfie with her phone, holding a peace sign. The interior of the BMW has leather seats and ambient lighting. Photorealistic style, high detail, cinematic lighting, 8k

«یک تصویر از کلمهٔ خوشنویسی شدهٔ [نام کلمه] به زبان عربی با خط ثلث یا نسخ زیبا و ساده. زمینه سفید یا کرم‌رنگ کهنه‌شده، جوهر مشکی، بسیار واضح و خوانا، مناسب برای کودکان پایهٔ چهارم دبستان. بدون تزئینات اضافی و شلوغ، فقط خود کلمه با یک حرکتِ (فتحه/کسره/ضمّه) به‌صورت برجسته نشان داده شود.» برای هر کلمه، فقط [نام کلمه] را عوض کن و در پرانتز مشخص کن کدام حرکت باید برجسته باشد. مثال‌ها: · «بِسْمِ» ← پرامپت: «کلمهٔ "بِسْمِ" عربی با خط ثلث، زمینه کرم، جوهر مشکی، کسرهٔ زیر "ب" و "س" مشخص باشد» · «رَبِّ» ← پرامپت: «کلمهٔ "رَبِّ" عربی با خط نسخ، زمینه سفید، جوهر مشکی، فتحهٔ روی "ب" برجسته باشد» · «قُلْ» ← پرامپت: «کلمهٔ "قُلْ" عربی با خط ثلث ساده، زمینه کرم، جوهر مشکی، ضمّهٔ روی "ق" مشخص باشد»

«یک تصویر از کلمهٔ خوشنویسی شدهٔ [نام کلمه] به زبان عربی با خط ثلث یا نسخ زیبا و ساده. زمینه سفید یا کرم‌رنگ کهنه‌شده، جوهر مشکی، بسیار واضح و خوانا، مناسب برای کودکان پایهٔ چهارم دبستان. بدون تزئینات اضافی و شلوغ، فقط خود کلمه با یک حرکتِ (فتحه/کسره/ضمّه) به‌صورت برجسته نشان داده شود.» برای هر کلمه، فقط [نام کلمه] را عوض کن و در پرانتز مشخص کن کدام حرکت باید برجسته باشد. مثال‌ها: · «بِسْمِ» ← پرامپت: «کلمهٔ "بِسْمِ" عربی با خط ثلث، زمینه کرم، جوهر مشکی، کسرهٔ زیر "ب" و "س" مشخص باشد» · «رَبِّ» ← پرامپت: «کلمهٔ "رَبِّ" عربی با خط نسخ، زمینه سفید، جوهر مشکی، فتحهٔ روی "ب" برجسته باشد» · «قُلْ» ← پرامپت: «کلمهٔ "قُلْ" عربی با خط ثلث ساده، زمینه کرم، جوهر مشکی، ضمّهٔ روی "ق" مشخص باشد»

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"Generate a map for an ancient-style novel, featuring the following five kingdoms: Northern Xuan Kingdom: Terrain is high, with the capital city, Lintian, at an altitude of over 4,000 meters. The landscape is predominantly mountainous. Southern Huang Kingdom: Low-lying but hot; the summer sun is so intense that parts of the region are desert. Western Ze Kingdom: Dense forest terrain, with swamps in some areas. To the west are the estuaries of several rivers that flow from north to west. Central Cang Kingdom: Small in area, but strategically located between two major rivers. Its borders are also flanked by mountain ridges, making it easy to defend and difficult to attack—hence, despite its small size, it can sustain itself as an independent state. Eastern Chi Kingdom: Though coastal, it has fewer rivers. The terrain is relatively higher than the west, and some areas contain volcanoes. Based on the above clues, and with common sense about geography and landforms, please create a simple ancient-style map for reference in writing the novel.

生成一个古风小说的地图

请你帮我给内容“eat，sleep，golf”生成不同字体的艺术字，并且在下方标注字体，同时字体不少于20种

生成一个古风小说使用的地图，分别有以下5个国家，北方玄国，地势较高，国度临天城海拔超过4000米，以山岭地貌为主。南方荒国，地势低但是温度高，夏天太阳太热以至于部分地区是沙漠地貌。西方泽国，密林地貌，部分地区还存在沼泽，西方是几条河流的入海口，河流从北往西流。中间为仓国，地理面积较小，但刚好处于两条大河的中间，国界周边还有山岭地貌，易守难攻，因此在面积较小的情况下仍能立国。东方炽国，随也临海，但河流较少，地势也相对西方偏高，部分区域有火山。请根据以上线索，结合地理和地貌的常识，简单绘制一下古风的地图作为小说参考。

/Imagine prompt: floor plan of a conference center, top view, minimalist architectural drawing, gray and blue color scheme, labeled halls A, B, C, reception, dashed route line from entrance to hall A, "you are here" marker at entrance, "target" marker at hall A, clean lines, sans-serif labels, white background, flat vector illustration, 2D, no shadows, mobile app design, 1:1 aspect ratio --ar 1:1 --style raw --v 6.0

请你帮我给内容“eat，sleep，golf”生成不同字体的艺术字，并且在下方标注字体，同时字体不少于20种

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"Large-scale dramatic interior scene in the style of Hassan Ruholamin, blending classical European painting with Persian miniature aesthetics. A traditional Persian house with two interconnected rooms, packed entirely with dozens of elderly men and gray-bearded elders—some seated on carpets and cushions, others standing shoulder to shoulder, filling every inch of the space. At the center, Solayman Bastad stands among the crowd and speaks passionately with one hand raised, his weathered face illuminated as the focal point. The crowd shows a range of reactions—some listening intently, some whispering to each other, some frowning in disagreement, others with eyes closed in contemplation. All the elderly men should look different from each other, each with their own unique face, beard, clothing, and posture. Warm earth tones—ochre, terracotta, gold—with dramatic chiaroscuro lighting from above casting deep shadows. Crowded, tense, historically weighty atmosphere. Digital painting, oil texture,

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A cinematic movie press advertisement in portrait orientation, measuring 120mm by 198mm, resembling a high-end magazine tear sheet. The background is a moody, dark gradient blending deep charcoal grey and navy blue, with subtle film grain and floating dust particles. Center-focused composition: A dramatic, close-up black-and-white silhouette of a woman's face turned slightly downward, partially dissolving into shimmering light particles at the edges, representing fading memories. A single streak of soft amber light cuts across her eye. Text layout (all text must be crisp and legible): - Top skybox: "COMING SOON THIS AUGUST" in white small caps. - Centered main title: "FADING HOPE" in a massive, bold serif font (like Trajan), slightly distressed, in metallic silver. - Below title in italic script: "When hope fades, only the truth remains ... lost in her memories." in white. - Middle cast block: "TONI COLETTE" "BARRY OTTO" & "CHRIS EVANS" in elegant small caps. - Split credit columns: Left side shows Co-Producer: WILLIAM WATSON and Director: JEFF BRIDGES. Right side shows Writer: SALLY AUSTIN and Producer: BILL WILLIAMS. All in minimalist sans-serif font. - Bold bottom release: "IN THEATERS AUGUST 12, 2026" in large bold white text. The overall mood is dramatic, melancholic, and arthouse, with a dark, premium cinematic finish. Aspect ratio: 2:3.

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